Belen Cerezo, What can counter-images do now?

Beto Valente and Marta ChavesEnsaios do Norte

Claudia CastellanoThe Gaze Back. Photojournalism and social consciousness in South Africa

Cristina LopesSekula (Un)Forgotten Space

Erika ZerwesThe 1978-81 strikes in Brazil through the lenses of two female photographers, Nair Benedicto and Rosa Gauditano

Guilherme TosettoThe Brazilian dictatorship at Orlando Brito’s photos

Gül YaşartürkThe Cinema of Güliz Sağlam and Feryal Saygılıgil: Documentaries That Establish A Dialogue Between Women by Women

James J. KimbleThe Photograph, the Poster, and the Legend: Feminist Imagery and the Battle of Rosie the Riveter

José Afonso Jr. and Philipi BandeiraO precário, o impreciso e o transitório no documentário. Dos paradogmas e impasses concetuais à ultrapassagem pelo documentário radical

Justin CarvilleThe Fenian Body, the Deviant Face and the “Unique Book of Beauty”: Photography and the Global Irish

Margarida RendeiroHunting and singing revolutions: representing the 25th April 1974 in the cinema in the 21st century

Olesya DronyakTranscultural negotiations of Madrid’s changing socio-cultural imagery in Básel Ramsis’ documentary El otro lado…Un acercamiento a Lavapiés/The other side…An approach to Lavapiés (2002)

Pablo Martinez-CousinouContinuities and shared practices in Paul Strand’s Manhatta and in Allan Sekula’s The Forgotten Space.

Patricia LealO arquivo urbano da cidade de Luanda na obra de Délio Jasse

Paul Lowe, Give my Regards to Magnum: Capa, Chim, Cartier Bresson and the roots of Magnum in the Left Press, 1932-1939

Pelin AytemizVirtual Talismans to Stave off the Wicked Eye: The Baby Photographs of Instagram Shielded Behind Emojis

Susana DelgadoThe trace as a photographic remembrance of the disaster: real estate bubble in the Spanish landscape

Witold KanickiPeople’s Republic of Pola(roid)nd Capitalist invention in communist country