Friday, 9th November, 2018 – Faculty of Fine Arts, University of Lisbon
9:00-9:45 Registration
9:45-10:00 Welcome – Main auditorium
10:00-11:30
Panel 1 – Main auditorium
Andréa Brächer – Sandra M L P Gonçalves The power of the image in photojournalism: Ricardo Chaves, a case study
Isabel Stein Molotov-click: the domestication of weapons
Marc Lenot The documentary work of Robert Capa as a political weapon serving the funding myths of the State of Israel
Panel 2 – Room 3.61
Jeroen Verbeeck Photographing Work as a Negative Presence in Allan Sekula’s Fish Story (1989-1995)
Rana İğneci Süzen and Gül Yaşartürk The Man in the Square: A Parody of Modern Individual
Cristina Lopes Sekula and photography documents
11:30-12:00 // coffee break
12:00-13:30
Panel 3 – Main auditorium
Janet Zandy Where is the audience for Marion Palfi’s There Is No More Time: An American Tragedy?
Jehane Zouyene A nation tale: photographic narratives of post-war France
Samuel Antichi Re-inventing a new account of the past. Re-enactment as counter-history in Rithy Panh’s The Missing Picture
Panel 4 – Room 3.61
Chiara Falcone ACTIVESTILLS: contemporary photography between documentary and activism
German A. Duarte The society of the Monoform. Fractalizing one-dimensional narratives in the audiovisual
Gustavo Racy The Photographer as Producer: on the possibilities of photography after Walter Benjamin
13:30-15:00 // Lunch
15:00-16:30
Panel 5 – Main auditorium
Andreia Alves de Oliveira Photography and the Critique of the (Neoliberal) University
Paul Lowe Picturing the Predator: Subverting the militarisation of vision
Ying Sze Pek Farocki/Steyerl: The Documentary of Algorithmic Realism
16:30-17:00 // Coffee break
17:00-18:30 – Main auditorium
Keynote Speaker José Bragança de Miranda Cinema and geo-aesthetics: for a kind of cinema politics
19:00 – Main auditorium
Sofia Sampaio and Lúcia Nagib present Aniki – Portuguese Journal of the Moving Image (Vol 05, Nº 2)
20:00 // Conference dinner
Saturday, 10th November, 2018 – Faculty of Fine Arts, University of Lisbon
10:45-12:30
Panel 6 – Lagoa Henriques auditorium
Birgitte Thorsen Vilslev ABCinema – amateur film politics
Jessica Werneke Peculiarities in Photographing the Periphery: Photography Clubs in Soviet Latvia
Madalena Miranda The emancipatory road of precarious images in communities, as expanded cinema.
Nela Milic Materialising Site
Panel 7 – Room 3.61
David Gledhill Seeing Clearly: The politics of focus in photo-‐derived contemporary painting
Freya Field-Donovan American Document
Gillian Sneed Gendered Subjectivity and Resistance: Anna Maria Maiolino’s Films and Photo-Performances during the Brazilian Military Dictatorship of the 1970s
12:30-13:30 // Lunch
13:30-15:00
Panel 8 – Lagoa Henriques auditorium
Matthew Mason Mythologies of Mao(ism): Depictions of China and the ‘Cultural Revolution’ in European Cinema at the Dawn of Postmodernity (1967 – 1972) – Godard, Bellochio, Antonioni
Susana Mouzinho Experiments in cinema and militant video: the beginnings of a theory
Julia Okołowicz The Lens of Oppression: “A Pair of Glasses” by Anna Maria Ortese and Carlo Damasco
Panel 9 – Room 3.61
Jessie Bond A Revolution in the Photobook: Susan Meiselas’ Nicaragua
Sigrid Lien The Politics of Silence in Marja Helander’s Photography- and Film Production
Stephanie King Mediating Difference at the (Post-)Industrial Periphery: Exit Photography Group’s Survival Programmes in Britain’s Inner Cities.
15:00-15:30 // Coffee break
15:30-17:00 – Lagoa Henriques auditorium
Panel 10 (Environmental policy)
Justin Carville Topographies of Terror, Terrain Vague and the Blind Field in Post-Celtic Tiger Photography
Liz Johnston Drew Imaging Albion: A Poetic Realism. Challenging perceptions of visual documentary in the North of England 1968 – 2008. Part Two: Where is their Voice? ‘The Revolt of the Faeries and the Elves’
Meghan Bissonnette David T. Hanson’s Waste Land Series
17:30-19:00 – Lagoa Henriques auditorium
Keynote Speaker David Bate The Refugee Image
